A witty and inventive rearrangement by the composer of eight pieces from his piano collection Scrap–book GZ 001.
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Written in January 1988 for Geraldine Allen and Roger Vignoles. Effective recital pieces which end with a riotous and demonic dance to the god of Mammon. Although designed to be played as a set, they also work well when performed separately.
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Written for members of the Viente Ensemble and first performed by them in 1979. A youthful and light–hearted set of short pieces. Popular with wind quintets, who frequently include it in their programmes to create variety (and a breather).
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This cheerful and charming confection has been played many times by the Viente Ensemble, who commissioned it in 1982. It is a useful ingredient in wind quintet programmes, since it allows two of the group to have a breather. It was first performed in Harlow on 24th February 1983.
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Three contrasting movements: a vigorous Allegro deciso, a lyrical Andante espressivo containing a passionate central section, and a rustic Vivace e giocoso dance for the finale. Written in 1983, and dedicated to Tina Cumming, it is frequently used by students as an end–of–term concert piece.
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